Inside/Outside
Showing posts with label projection. Show all posts
Showing posts with label projection. Show all posts

Friday, September 13, 2019

A Member of the Family

Opening my waiting room door I’m surprised to see the usual bubbly Marlene sitting downcast, twisting a tissue in her hands. She rises slowly, manages a weak smile and walks into my office. “I feel awful,” she says.
“I can tell. What’s wrong?”


“It’s Scooter.”
It takes me a second, but I realize she’s talking about the family’s dog, a relatively young schnauzer if I remember correctly. 
“My son will never forgive me. He keeps telling me he hates me, that Scooter was a member of our family, that it’s all my fault. And he’s right! I don’t know how I could be so stupid,” she says, bursting into tears.
I find myself holding my breath, wondering what happened to Scooter, hoping he’s not dead.    
Marlene continues, “I opened the garage door. Scooter ran out. He was hit by a car. He’s not dead, but the vet doesn’t know if he’ll make it. His leg’s broken. Depends on how much internal bleeding there is.”
Tears well in my eyes, as images flash in my head. Poor rescued Siggy who I’d nursed back to health on a graduate student’s stipend, running out the front door, killed by a car; Brenna, our black Lab, poisoned, hovering between life and death but fortunately making it; and Hadley, so connected in my mind to my late husband, needing to be put down when auto-immune disease ravaged her seven year old body.
“I’m so sorry, Marlene. I know how hard this must be for you. And for your son. I really hope Scooter’s all right.”
“Me too,” she says smiling wanly. “Didn’t take any time for my ex – almost ex – to start screaming at me. Even threatened to bring it up in mediation. Said he wasn’t sure he could trust me with Davey. How could he know I might not let Davey out the door? Talk about pouring salt on the wound.” Pause. “Davey’s so mad at me. He doesn’t remember a life without Scooter. And now without his Dad…,” she says crying. “I can’t believe I was so stupid.”
“You keep saying that. I don’t think it has anything to do with being stupid.”
Marlene looks up at me, frowning. “What are you implying?”
Taken aback I say, “That you’re not stupid.”  
“So are you saying I did it on purpose?”
Puzzled, I look at Marlene and say, “Absolutely not! I was saying it was an accident.”
“I thought you people didn’t believe in accidents.”
“’You people?’”
“You know, shrinks.”
“Tell me what’s going on Marlene. I understand that you’re sad and distressed about Scooter. I understand you feel guilty. But it sounds like you’re attributing thoughts to me that I’m in no way thinking. What is it that you’re thinking, fearing, worrying about?”
She sighs. “When I was a kid we had a parakeet. Actually it was my younger sister’s. I wanted a dog. My mother said no way. So we got a bird. I never liked it much. The bird got out of the cage and ended up flying out the window. My sister cried for days. My mother said it was my fault, that I let the bird out.”
“And you’re worrying I’ll think you let Scooter out the garage door?”
“I didn’t!”
“It never occurred to me that you did.”
“It didn’t?”
“No, it didn’t.” Somewhat hesitantly I add, “But I don’t know about that bird. How did the bird get out of the cage?”
Marlene lowers her eyes. “I let it out,” she says quietly. “But I didn’t mean for it to fly away. I just wanted it to do something besides sit in that dumb cage all day!”
“Sounds like a perfectly understandable thing a child might do.”
“It does?”
I nod. “Also sounds like you’ve been carrying that guilt around with you for a long time.”
“But I didn’t want to get rid of Scooter! I know he can be demanding sometimes and that he does take up time, but he’s a member of the family. I didn’t want him gone.”
“I believe you Marlene. We all want beings we love gone sometimes, including human beings. It doesn’t mean we stop loving them or that we really want them gone forever.”
Marlene is sobbing. “Thank you. I really needed to hear that.” Pause. “Cause truthfully I got scared when my ex said he wasn’t sure he could trust me with Davey. I started wondering if I was purposefully negligent.” Pause. “If I was evil. That I’d harm Scooter or even Davey just like I hurt that bird.”

“You’ve been carrying around a lot of guilt for a very long time. Seems like it’s something we need to look at.”

Tuesday, October 1, 2013

The Heart Is a Lonely Hunter

The pick for my book club last month was Carson McCullers’ The Heart Is a Lonely Hunter. I had never read the book before. I am only thankful to have read it now.

This was Carson McCullers’ first novel. She was 23 years old
when she wrote it. Set in rural Georgia in the late 1930s, it brilliantly captures the conditions that existed in a poor mill town where ruin was just around the corner and everyone struggled to survive, whites marginally better off than “Negroes” who were forced to deal with constant humiliation and degradation.

The novel’s sociological portrayal is superb. But, as a psychologist, I prefer to focus on the five major characters and their interaction.

The pivotal character of the book is John Singer, a deaf mute, who all the other characters depend on to listen to them, hear them, and understand them, while projecting onto him all their needs and wishes. For me, John Singer is the book’s analyst. The reader knows Mister Singer to be an isolated, lonely person, whose only friend, Antonapoulos, is sent away to a mental hospital and even when he is present, Singer creates this friend to fill his needs, just as the other characters do to Mister Singer himself. Although it is never clear what Singer does understand, he is portrayed as a caring, generous human being.

Biff Brannon is the owner of the town’s café, a café he keeps open all-night to diminish his own loneliness and those of his possible patrons.  He is in a loveless marriage, but still grieves for his wife when she dies: “… when there is love, the widowed must stay, for the resurrection of the beloved – so that the one who has gone is not really dead, but grows and is created for a second time in the soul of the living …” There is no one who is a regular reader of these blogs or, even more so, of my book, Love and Loss, who would wonder why I vibrate to those words.

Jake Blount, an angry, misshapen drunk, who talks constantly of his Communist principles, is consumed by loneliness. His incessant talking and drinking is an attempt to escape his isolation; his anger a way to distance himself from his despair and sadness. Both Singer and Biff are invariably kind to Jake, giving of themselves both personally and financially.

Doctor Copeland is the town’s “Negro” doctor, another disappointed, angry, embittered man who is both difficult to like, and impossible not to sympathize with. Educated and scholarly, he has put all his hope in his four children and the capacity of the Negro people to raise themselves above their lowly status. He is bitterly disappointed in both. His behavior towards his children was often hard to read, at least for me, who knew first-hand the rage and expectations of an angry father. And, yet, who could not feel for this man who had spent his life trying to better himself, his offspring, and his people, only to be faced with repeated contempt and horror.

I have left Mick Kelly for last, because she my most favorite character, a 13 year old tomboy at the beginning of the book who has tremendous spunk and an obvious artistic and musical talent. She dreams of something more than the overcrowded rooming-house in which she lives. She has her inside room - the room of her own thoughts and her capacity to recall and hear music in her head – and the outside room where she exists in her squalid, everyday world. Only Mister Singer exists in both worlds, again an example of my understanding of him as the book’s therapist. Life works against Mick and by the end of the novel she is a sale’s girl at Woolworth’s. At least to this reader, escape doesn’t seem very likely.

The night of our book club, seven bright, articulate women were present. Most of us loved the book and marveled at McCullers’ artistry capacity to create such a rich novel at so early an age. But the difficulty arose for some of the women who found the book too dismal, too lacking in hope. Those women felt that the message of the book was only that you lived, struggled, despaired, and then died, with nothing positive ever resulting.    


I awoke in the middle of the night after our meeting and thought that we had missed something important in talking about the hope in the novel. First, there is much love, generosity, and compassion that is evident throughout the book in many of the characters, an important aspect of hope when we look at the human condition. Secondly, the book epitomizes the indomitable human spirit: To fight, despite insurmountable difficulties; to struggle, even when the outcome is bleak. To me, that is hope, providing for the eventual possibility of something better, and demonstrating humankind’s capacity for courage, strength and determination that perseveres despite all adversity.